Review - A Glorious Gala Celebration

Southern Voices' recent gala concert was a triumphant celebration of choral music, showcasing the ensemble’s profound talent and infectious energy. Now celebrating its 40th anniversary, the choir has grown to encompass a wide range of voices and talents, celebrated by a concert that was both inspiring and impeccably executed, captivating the audience from the opening notes to the final, glorious chord. 

The first half of the evening began and ended with contemporary works by Matthew Martin, Laudate Dominum and Jubilate Deo. The choir was on outstanding form, and despite the inherent complexities of these pieces, they were performed with commendable energy and precision, further brought to life by the sparkling organ accompaniment of Katherine Dienes Williams, one of the choir's former Directors of Music.

The stylish programming of the concert successfully bridged the old and the new,  showing a deep respect for choral traditions while embracing new, innovative works.

A highlight of the evening was Vivaldi’s Gloria, a choral staple, which saw numerous former members of Southern Voices joining to swell the ranks. This beautifully poised performance was full of energy and Venetian swagger. The soloists delivered performances of the highest calibre. Sopranos Lucy Cronin and Lucy Mellors, along with mezzo-soprano Claire Sutton-Williams, sang beautifully and with seamless blend. From Lucy Cronin’s pure, ethereal Domine Deus to Clare Sutton-Williams’s beautifully rich and focused Qui sedes, the solo singing here was also excellent. 

Without question, the crowning achievement of the evening was the performance of Johann Sebastian Bach’s Magnificat (BWV 243). Composed in 1723, this masterpiece noted as one of the most celebratory (and tricky) in the repertoire was executed with exceptional precision and panache. The choir and orchestra navigated the intricacies of the piece with consummate skill and sensitivity, resulting in a beautifully stirring and moving performance. Gwilym Bowen (tenor) sang with notable conviction and ease, and Jamie W. Hall (baritone) sang with the remarkable poise, richness, and character for which he is renowned. Director Jamal Sutton’s well-considered choice of tempos and dynamics expertly shaped this lively and elegant concert.

Commendation is due to Endelienta Baroque, whose refined and polished playing throughout the concert was exemplary. The two flautists stood out for their particular agility and synchronicity in the Magnificat.

The evening had such a jubilant feel, and the absolutely packed St Paul’s Church, Winchester was not only a testament to the choir’s outstanding talent and vibrant energy but also to the enduring appeal and power of choral music. It was so good to see so many former members involved, which infused the evening with a profound sense of continuity and community, highlighting the choir's rich history, dedication to musical excellence, and enduring legacy. 

Congratulations, and happy 40th birthday, Southern Voices!

-- Oliver Tarney, Head of Academic Music, Winchester College